是作者的一段无疾而终的恋情。 以分手的那一天为界，从那一天之前92天写起， 准确地说是以摄影图片（都是真实的）来表现， 一直到那一天之后99天。

是作者的一段无疾而终的恋情。 以分手的那一天为界，从那一天之前92天写起， 准确地说是以摄影图片（都是真实的）来表现， 一直到那一天之后99天。

"Michael," said Karl. "There's a really big bear in the backyard." This is how three children meet Stillwater, a giant panda who moves into the neighborhood and tells amazing tales. To Addie he tells a story about the value of material goods. To Michael he pushes the boundaries of good and bad. And to Karl he demonstrates what it means to hold on to frustration. With gracef...(展开全部)

"Michael," said Karl. "There's a really big bear in the backyard." This is how three children meet Stillwater, a giant panda who moves into the neighborhood and tells amazing tales. To Addy he tells a story about the value of material goods. To Michael he pushes the boundaries of good and bad. And to Karl he demonstrates what it means to hold on to frustration. With graceful ar...(展开全部)

"Michael," said Karl. "There's a really big bear in the backyard." This is how three children meet Stillwater, a giant panda who moves into the neighborhood and tells amazing tales. To Addie he tells a story about the value of material goods. To Michael he pushes the boundaries of good and bad. And to Karl he demonstrates what it means to hold on to frustration. With gracef...(展开全部)

Hui-shu Lee is an associate Prof. in Art History at UCLA. She received her doctorate degree in Chinese art history from Yale University in 1994 after first studying at National Taiwan University and working in the National Palace Museum. Her field of specialization is Chinese painting and visual culture, with a particular focus at this time on imperial patronage of the Song dyn...(展开全部)

Hui-shu Lee is an associate Prof. in Art History at UCLA. She received her doctorate degree in Chinese art history from Yale University in 1994 after first studying at National Taiwan University and working in the National Palace Museum. Her field of specialization is Chinese painting and visual culture, with a particular focus at this time on imperial patronage of the Song dyn...(展开全部)

金·阿德尔曼（Kim Adelman），独立电影制片人，导演，任教于美国加利福尼亚大学洛杉矶分校（UCLA），教授“短片制作与营销”和“低成本电影制作”两门课程，并在纽约、加拿大、新西兰等地开设短片创作工作坊，颇受学生欢迎。她推动了美国福克斯电影频道短片项目的成立，并为该项目担任制片。她制片的19部短片在150多个电影节中拿到了30多个奖项，其中连续四年都在圣丹斯电影节有所斩获。金曾担任多个独立电影节的策展人，同时还是各类独立电影相关网站（indie WIRE等）的专栏作家。她深谙独立短片的制作与发行，电影节的运作与推广，另著有《小妞电影终极指南》。 叶俊策，导演、编剧、电影特效讲师，迷影爱好者，曾翻译过一千多部电影字幕，在北京电影学院和北京大学讲授“特效与动画”课程。曾参与多部电影的前后期制作，如《意外的恋爱时光》分镜头设计、动画电影《翼龙兄弟》前...(展开全部)

P5：我想你一定有过这样的经历——看电视剧正起劲儿时，突然插入某广告：“XXX，不走寻常路”、“XXX，手机中的战斗机”、“我也爱用XXX”这类的ADs，看看，和AIDS就差一个字母了，本来就是一泡屎，自己还觉着怎么着呢……真是《扫兴》。 P16：《蓝色时期》 最近几年，装13一词使用频率骤然升高，让我们看看这些不知补没不补过钙的艺能界人士是如何用实际行动来完美诠释这个名词的吧！ P17：《X3》“……你是一个啥样人儿哎？！”来做一下心理测试吧。 P21:《约翰·列侬》，他在另一个世界继续自己的传奇。 P22：《想当然》。我一直没弄明白这个标题是什么含义，跟蛾子有什么关系呢，只能《想当然》。 P30:《无题》。……疑惑中…… P34:《美臀娘醉游记》。这篇要用“牡丹花下死，做鬼也风流。”来概括是不是有点文不对题呢？！ P39:《有完没完》。呼呼，终于...(展开全部)

The Exquisite Corpse of Asian America addresses this central question: if race has been settled as a legal or social construction and not as biological fact, why do Asian American artists, authors, and performers continue to scrutinize their body parts? Engaging novels, poetry, theater, and new media from both the U.S. and internationall—such as Kazuo Ishiguro’s science fiction...(展开全部)